LoTR music

Dec. 22nd, 2004 08:32 am
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This page has mp3 links to de Meij's Symphony #1, "The Lord of the Rings." I haven't listened to it yet, as I must off to work soon, but I'll probably give it an ear or two there. So for now, I'm passing it along without more comment. Enjoy, I hope.

[Edited to be, like, more accurate -- thanx, Calimac! I hope rwl sees your comment. He was wondering how the music was, and I didn't know yet.]

I get it!

Dec. 16th, 2004 06:38 am
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I'm looking at my CD of Hindemith's "Ludus Tonalis," which I converted to mp3 the other day for easier listening. There's some sort of stock number after the title on the spine that makes it read "Hindemith Ludus Tonalis SUCS" followed by some digits.

I guess the digits indicate just how much...?
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I goofed off around the house. I thought at first I might go out and see the Sponge Bob movie, but after a morning of puttering, I decided I needed an afternoon of puttering. I did some updating of backups and decided to scan a book of standard songs (folk songs through hits of the late teens). After I'd scanned a few pages, I decided to save post-scanning time and adjust the scan settings. That made things oodles faster. As long as I got it straight on the scanner, a scan needed no additional work beyond saving and naming the file. I gave the files names that gave title info as well as the page number, so that was even better. I was pretty happy with it, all in all.

I also thought I'd be looking online and at LJ more, but for some reason, I just didn't. It was kind of unusual.

A few days earlier, I increased my opera and vocal holdings considerably by harvesting some stuff I'd had for eons. A co-worker gave me all these sampler CDs. There were a couple of opera 'best of the year' disks from '93 and '94, samplers from Sony and RCA, and a whole pile of the CDs that came with Classical CD magazine. Usually, I scorn these, with their excerpts from movements, but with opera, these little chunks can be very entertaining. I ended up with almost a CD worth of mp3 files -- about 650 MB of them -- so I've been dipping into strange operas and enjoying it; finding new stuff.

When I was scanning, I put some of it on, and it helped the work go by faster. Then right at the end, when I'd scanned about 90 pages in a row, and the computer found a clever new way to dump them, it helped me re-scan 90 pages in a half hour in order to go pick Sarah up a little early and try to go to a playground. I say 'try' because Sarah dawdled and we lost a few precious minutes of daylight, and then she insisted on going to the playground that was farther away. It was so cold when we got there, I don't know that it would have made a difference anyway. I wish we had a nice indoor playground to go to.


Oct. 28th, 2004 01:47 pm
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What's on my iPod? Don't have one. I bought something that does a lot of the same stuff for less in a slightly less keen package. It's an RCA Lyra, with which I have had humorous mishaps (traumas seen in retrospect), but which is pretty good when it works. So let's ask the question again, only say "What's on my mp3 player?" instead.

Glad I asked. This is what makes talking to myself such a pleasure.

It's a pretty big player, storage-wise, so I'll just talk about a little of it. Lately I've been shoring up some of my LP material. This wave started with my procuring a copy of Anthony Newman's "Organ Orgy" LP, which doesn't seem to have been reissued. This record is an all-Wagner outing on the pipe organ at St. John the Divine in NYC, and includes the best version of "Ride of the Valkyries" I've found so far. I bought two other CDs that had different versions of this arrangement on it, and this one still beats the rest, maybe because Newman had assistants playing extra notes and changing registrations and holding down pedals (he credits them on the liner). This led to my also transferring other great organ recordings, the Calvin Hampton arrangement of Franck's d-minor Symphony, a concert by Virgil Fox on the Mighty Wanamaker organ (there's some Wagner in it), and some arrangments for violin and organ that includes a lush treatment of Wieniawski's "Romance" from the violin concerto and several good Kreisler tidbits.

About this time, I started hankering for more music box pieces as well. Early on, I converted a tape of music box opera selections, and I decided to bite the bullet and go back to the disks for better and possibly more complete recordings, since I wasn't trying to fit them all on a tape now, so I could include multiple versions of the same pieces. There were a lot of different music boxes, so this isn't as redundant as it sounds. Some played from disks almost two feet wide. Some had organ pipes, drums, or tweeting birds. This naturally led into exploration of other automatic instruments, like the Violinola, the Orchestrion, or other mechanical combos.

So I'm big into this stuff at the moment. (At the moment. I've had the LPs for decades.) It's so vigorous, and oblivious. The pieces were programmed, not played. Some of the cruder instruments, I almost think they made the rolls by hammering nails into a rolling pin or something -- well, it sounds like it. Over the decades, too, the instruments have gotten a wee bit askew, perhaps, and don't sound quite like they did when they first thrilled the crowned heads of Europe. The violinola playing "Indian Love Call" is a bit unearthly. The drums that punctuate some of the instruments sound more like coffee cans (just think how hard it would be to get all that just right in something that has to keep playing on and on and on), and I suspect a few notes have vanished somewhere along the way.

Maybe the format is backwards. Maybe I should always write long-winded screeds about the music I'm listening to, and then afterwards check off a box that tells what's on my mind. "Politics." "Entertainment." "What I ate." "Something Sarah said." "Quiet hissing sound."


Sep. 24th, 2004 06:57 pm
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Two problems solved today, in the mp3 arena (sound of both readers switching to something else): My mp3s of "Forbidden Zone," as you may recall, not only wouldn't play in order in the "all files" view, but it wouldn't play one track at all in the "Album" view. See, the unit has its own playlists, based on Album, Artist, Title, Album/Artist, and Genre. Genre is kind of wacky -- it thinks most classical music falls under "blues." Some recordings don't show up at all in these lists, for reasons I don't comprehend yet. That's Track 7, which is the one I added of "Pico and Sepulveda" off the Dr. Demento show. Not with him talking over it, but just the song. Okay. Breathe.

Today I moved on to plan F, more or less. I copied the whole folder onto my laptop and erased it from the player, and then I copied the tracks back into a new folder (I don't know if the new folder was essential, but it was quick enough to do and it seemed like it couldn't hurt) one by one, in order. Success! It plays in order in All Files view. Double success! It plays all the tracks (in order) in Album view as well. Happy day.

While I was at it, I also took some things out of folders. When setting up the system, I was putting many multi-movement pieces into their own folders. This let me give the whole piece a fairly detailed name and still give the movements their individual titles. The Rio player would go through them folder by folder, but the Lyra will play one folder and then stop and turn itself off if I don't get to it within a half a minute or so and tell it what to do next. So, I've been dumping more things into common folders lately, so I can listen to an album instead of two or three short tracks.

The stuff you learn. What a world.
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After a while, I decided mp3s were the way to go. They sounded good enough on any system I had. After proper preparation, I bought a Memorex from Target: Educational Experience Number One. I learned how to convert a CD and how to record from a cassette. I found a perch for the "78" turntable (not one I'd recommend putting LPs on, though I did a couple times). I got some output and burned it onto a CD and put it in the player.

The first thing I learned was that the player seems to alpha-numeritize everything, so I needed to go back and put track numbers on anything I didn't want to hear out of sequence. The second thing I learned was that mp3 programs feel that they, and only they, have the right to name tracks, and they do it in the most convoluted way possible, taking the album name, the artist name, and the title of the cut and concatenating them (in that useless order). This often leads to names so long they get cut off, generally just before the part that identifies the cut. So I had to rename everything, taking out superfluous info, as well as characters that aren't supposed to be used in filenames. Came the next lesson: the system sometimes refuses to use those names, using buried tags that can be accessed by diving through multiple menus for each and every track. Yay. The last thing I learned was that the Memorex was a piece of junk, playing some disks every time, others never, and the rest when it felt like it. Out it went, accompanied by curses.

The next player was a Rio-Volt, which included an FM tuner. I went for broke, determined to convert my listening collection (then on cassette) to disks in time for our China trip. As departure time neared, I got more and more frantic to convert all my favorites. I converted tapes at home. I converted tapes on my laptop at work. I discovered another interesting fact a few days before we left: my laptop only hears things in mono. It passes sound through in stereo, but when recording, it chooses a channel -- not sure which -- and puts it on both tracks. This fact became clear when I was listening to W Carlos's synthesized Brandenburg Concertos -- the sound just wasn't there some of the time.

After the trip I began putting it all together. I used Jukebox for some of my conversions, but I never could get it to listen to an LP and give me a file, so I looked into Sound Forge, which came with the laptop. This would do it, but not for free. I gave it money. After that, I could convert to mp3s from a WAV, but only on one of our computers. The others refused to believe the unlocking code I had been given. I was recording the files to WAV (a very large file), then I'd have to burn it onto a CD to move it to the computer that could convert it to nice little mp3s. Tedious! Then came my present player.

I selected an RCA Lyra, a barely pocketable 40 gig hard drive. No tuner, and no changeable battery (which would have been damn inconvenient for the flight back from China, where I went through a couple of sets of batteries in the Rio), but it was very clean and had a lovely personality. I set about filling it up with my junk, including backups from my laptop. It took six weeks during which I worked like a beaver, recording new tracks with my sharp teeth, transferring them to the other computer with the Lyra, then converting them with my large, flat tail. I converted family tapes and 78s, graphically editing pops and patching skips. I converted CDs, generally renaming each track by hand. I drove to work, exultantly listening to Buddy Ebsen and Darlene Gillespie singing "Buckwheat Cakes" from the Mickey Mouse Club. Yes! Life is good!

At the office, I set the unit up as always (can you tell this is going somewhere?) and put it on Mozart's Requiem, but the music ended early. The unit was stone cold dead. I poked the Reset button over and over. I tried it on and off the power supply. On and off the USB. Even cursing didn't work.

I leapt into action. Well, okay, I moped around the house. Then I tried stuff. I went to web pages and I found a Yahoo! group for the player, where I was advised that I needed to open it up, put the hard drive into a bay, hook it up to another computer and get the data off. Best Buy and RCA were happy, they said, to exchange the unit, but nobody could save my precious data -- months of work (not just those last six weeks -- even stuff I had on disks ended up getting changed after I moved it over) hung in the balance. I became despondent. I called places, looking for someone who would express confidence in their ability to do the work. I eventually purchased a bay for the disk and an appropriate cord, but ran into another obstacle: I couldn't get inside the unit. I had a friend come over and we tried to get into it. He took it to his work, but even the Shipyard didn't have a tool that would turn the two screws on the unit. Eventually, he managed to get them off, and it turns out they led nowhere. We never did figure out how to get inside, though one of my old books on stage magic had some interesting pointers.

About that reset button. This was RCA's sole line of defense. In the documents, it's the only thing they tell you to try. There's no Plan B after that. Push the Reset, you'll be hailed as a savior, people will throw flowers at you in the streets, and you'll be home by Tet. Everyone I spoke to helpfully mentioned the reset button. I assured them that I had poked it. More than once. I poked it while pressing other buttons. I poked it while speaking in low, reassuring tones. I poked it while putting the screen to my forehead and thinking Vulcan thoughts. There is actually room in the margin to put the results I got, and still have space left over for angels to dance in.

I was, to put it simply, not up to the task, so I put the problem to my friend who edits PC World, and he said to compose a letter and he'd forward it to their consumer advocate. There followed a number of phone calls and emails, and I ended up shipping the unit to Ohio, where it was dismantled (turns out a chip had died) and the drive was put into a new unit which was shipped to me. And by the time it came, we had a new computer in the house with huge hard drive space, and I finally was able to back up the player. I mean, what was I going to put it on before? Floppies?

So now I have my player. I just want to know why it does some of the stuff it does. It plays cuts out of order: 03, 04, 01, 02, 05... Some cuts it doesn't play at all. I recorded "Pico and Sepulveda" by Felix Figueroa off of Dr. Demento years ago, and as it hadn't been included in the Forbidden Zone sound track, I transferred it to mp3 and put it in there myself. Only, when I go to "Albums" and select "Forbidden Zone," it's not there. I've attacked the problem over and over, renaming tracks, renumbering tracks, burrowing through menus to change the down-deep knowledge of what it is, and even that gets me nowhere. I can go to the "All Files" view, the one I usually use anyway (but which plays cuts out of order about a quarter of the time), and it's there, but (say it with me) it won't play in order.

Why, oh why doesn't my player recognize the track? Or alpha-numeric order?

Hey, here's a tip for anybody who has read this far. If you go down a plastic slide with the player going in your pocket, static electricity will turn it into a zombie before you hit the bottom. With mine, it squeals until I reset it, and for all I know it's doing permanent damage, so turn the player off at the top of the slide, kiddies.

While I was typing this therapeutic screed, the music changed. Highlights of subsequent tunes: "My Way," by Sid Vicious, "Jocko Homo," by Devo, and "Pet Wedding, by Monitor (presently). Not sure who needed to know that, but always obliging, that's me.

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